Topography

topography

I have made a base for Poly-means many that will sit inside the steel legs.  Except I’m going to have to modify the corners, because they won’t fit.  They are too tall.  Art, for me is the process, and learning.  I have helped build and rehab many houses, so you’d think I would get that “measure twice” rule of carpenters.  However, problems and glitches sometimes lead to new ideas.  Anyway, most of the topography is made of scraps of plywood.  I will insert some pieces of plate glass in some of the gaps.  Some are holes, or ruts,  like to map of my life.  The red wood dye is a Briwax product.  I will continue to add more dye to make some areas dark.  Because some of the plywood had a hard finish, it barely takes the dye, and other areas are various shades. 

Shadows

Poly-means many

I am trying to understand the many sides of this thing.  Maybe like a blind person describing an elephant.  I have already used steel wire to make the word “open” which I plan to use to wire the book closed.  Along with openings and opportunities, there are limits.  After I fashioned the word “limit”, Gregg forged it for me, making it flatter and wider.  Then we took a photo to show the shadow, and the light.  Many of the words I’m using are opposites, but some are shades of meanings.  “Limit” may appear on or near the “glass ceiling.”

Catching up

I’ve been experimenting with Poly-means many for awhile.   Here are three elements I’m thinking about.  The base will be a topography of plywood pieces, dyed red like the small one in the corner.    There will be glass elements.  Here is a model from foam core for the stacked glass ziggeraut.  I know that is not the usual spelling.  The third image is cut glass pieces that may find a place in this sculpture.

Deforestation

I live in a rain forest, but nothing like a jungle in South America.  Yet, I can see the devastation caused

Deforestation

 

 

 

 

 

 

 

 

by clearing the land.  This is a new technique, using Keto dye on plywood, as well as paint and charcoal.

How I Made This

We were snowed in the other day and made this new feature on my website.  I take photos as I paint.  We gathered a few and made a few slide shows.  There is no text or voice over.  The idea is to share with you the stomping around I do to make my art.  The installation Chemo Today was the beginning of me taking myself seriously as an artist.  Fleeing is about refugees of war, famine and fire.  If You Just is about all the advice people have given me as I deal with ITP.

Jungle Folly

We redid the floor in our bathroom.  The garden tub was never used, so I’m making it into a Jungle Folly.  Lots of LED lights.  If this winter is as dark and wet as summer and spring, we’re going to need a little jungle time.

indoor garden
banish the gloom

Map

This is the beginning of a painting on paper.  Sometimes they are part of the process to a larger work.   I feel like this is the map that’s governing my life and our govt. now.  Chaotic, mindless, and just maybe, heading somewhere.

Map

Disruption

I was thinking of this as a disruption from sexual assault.  Then came two hurricanes.  My hematologist is an oncologist also, and I see many people there with cancer.  Disruptions happen.  Some can be protested, most have to be lived through.  This is a sketch on paper.  I’m not much of a draftsman, more of an interest in color.

Disruption

BT, what do you think?

I’ve struggled with this.  It was pretty easy to block in light and dark clouds, but pushing it to make it a painting, was work.

Storm’s Coming

Tangle or life?

tangled web

This is a second go at Tangled Web.  This is on gessoed paper, and I don’t think it’s better for ripples.  And the gesso is gritty.  Lines were pencil of charcoal.  I imagine I’ll do more in Sharpie.  After visit to Doctor for injection and pharmacy for prescriptions,  I do feel like a bug caught in a web of  “health care”.